Showing posts with label something else. Show all posts
Showing posts with label something else. Show all posts

May 29, 2023

Can Celtics Be First NBA Team To Go From 0-3 To 4-3?
Fun Fact We All Know & Love: The Red Sox Are The Only MLB Team To Do It!

UPDATE: Heat 103, Celtics 84
Heat    - 22  30  24  27 - 103
Celtics - 15  26  25  18 -  84
Boston's last lead in the game was 11-10 with 3:30 left in the first quarter. They trailed 52-41 at the half. The Celtics came as close as seven points several times in the third quarter (66-59, 69-62, 71-64), but could not cut into the Heat's lead any more than that. Miami (12-6 in this postseason) will face the Denver Nuggets (12-3) in the Finals.

On Sunday, May 21, the Miami Heat trounced the Boston Celtics by 26 points and took a 3-0 lead in the best-of-7 Eastern Conference Finals.

The Celtics will host Game 7 of that series tonight in Boston. No NBA team has ever come back from 0-3 to win a best-of-seven series. Teams are currently 0-for-150.

2023 Eastern Conference Finals

G1: Heat 123, Celtics 116
G2: Heat 111, Celtics 105
G3: Heat 128, Celtics 102
G4: Celtics 116, Heat 99
G5: Celtics 110, Heat 99
G6: Celtics 104, Heat 103
G7:

Three teams have fought back to play Game 7, but all three -- the visiting team, in each case -- lost the seventh game. The Celtics are the first 0-3 team to force a Game 7 at home.

L L L W W W L

1951 Finals: New York Knicks lost to Rochester Royals
1994 Western Conference Semifinals: Denver Nuggets lost to Utah Jazz
2003 Western Conference First Round: Portland Trail Blazers lost to Dallas Mavericks

Only one major league baseball team has accomplished an 0-3 to 4-3 comeback. In October 2004, the Boston Red Sox lost Games 1, 2, and 3 of the ALCS to the New York Yankees, before winning Games 4, 5, 6 and 7. The Red Sox went on to sweep the St. Louis Cardinals in the World Series, winning their first championship in 86 years. It's a hell of a story. Since then, the Red Sox have won three additional World Series titles.

Tonight's Game 7 was made possible by Derrick White's miraculous tip-in on Saturday night in Miami. As seen below, the basketball left his fingers with fewer than one-tenth of one second remaining on the clock, and the Celtics down by one point.

It was just the second time in league history a buzzer-beater happened with a team facing elimination at the moment. The other was Michael Jordan's legendary "The Shot" in 1989 to lift the Chicago Bulls over the Cleveland Cavaliers in their first-round series.

With Boston's victory Saturday night, the Celtics won their fifth road elimination game in the past two postseasons, not quite the iconic Bill Russell's 10-0 record in Game 7s, but this is Page 1 Celtics history material here. . . .

White . . . inbounded the ball to Smart and then sprinted down the sideline. When Smart launched it, White was 20 feet away, standing near the corner around the 3-point line.

By the time the ball spun out, White had somehow gotten himself to the rim. . . .

"I mean, it don't do no good to stand in the corner there," White said later . . . "Whether he makes it or not, so I just was crashing the glass, and it came right to me."

February 19, 2023

RIP Richard Belzer (1944-2023)

"A rooster on acid."

That's how comedian Richard Belzer described his Some Girls-era Mick Jagger impression.




Belzer:
One night I was doing Mick Jagger and I didn't know he was in the audience — that was in the '70s. So I went backstage and the owner of the club said, "Mick Jagger wants to meet you." And I was like, "Humana humana." I went out and sat with him and we just hit it off. He was really gracious . . .
I knew the Belz from his standup in the early-to-mid 1980s, but I suppose he's far better known now for his acting, including 14 years as a cast member of "Law & Order: SVU". According to friend Bill Scheft, Belzer had dealt with "lots of health issues". He "died at home with this family around him. . . . His last words were, 'Fuck you, motherfucker.'"

July 30, 2022

Jack Kerouac's Writing/Batting Average

By the time Jack Kerouac was 11 years old, he had invented a fantasy baseball game involving a toothpick and a marble. His invention evolved to a card-based game that he played for his entire life, inventing teams and rosters, keeping play-by-play box scores and seasonal statistics in a series of notebooks.

The teams were named after cars (St. Louis Cadillacs, Pittsburgh Plymouths, Washington Chryslers) or colors (Boston Grays, Chicago Blues, New York Greens). Kerouac wrote descriptions of games, trades, and contract disputes in league newsletters. He described one player, Buck Barbara of the Philadelphia Pontiacs as

big, stocky . . . and he swings toward his left, or turns on the ball, like a vicious bull; and when he connects, there is a sharp, hard crack, and those third basemen start hopping around. He almost drove Charley Fiskell, Boston's hot corner man, into a shambled heap in the last game with his sizzling drives through the grass.

Kerouac would bring the game with him on his cross-country drives.

Jack Kerouac: Windblown World contains excerpts from Kerouac's journals from 1947-1954. There is no mention of his baseball game hobby in these entries, but in 1948, as he was writing and revising The Town and the City, his first published novel, he often mentioned a "batting average" of his writing progress, which would go up or down depending on how his work was progressing.

The first entry in Windblown World that mentions a batting average is June 3, 1948. Kerouac, 26 years old in the summer of 1948, says the average is "an intricate mathematical thing" and "too complicated and mad to explain".

Thursday, June 3

Still sick as a dog but working. Did 24 pages today. I worked out an intricate mathematical thing which determines how assiduously I'm getting my novel typed and revised day after the day. It's too complicated and mad to explain, but suffice it to say that yesterday I was batting .246, and after today's work my "batting average" rose to .306. The point is, I've got to hit like a champion, I've got to catch up and stay with Ted Williams (currently hitting .392 in baseball).* If I can catch him, and stay with him, the month of June will be the final month of work on Town & City. But the absorbing thing is that I can't possibly bat that high (.392) without toiling like a fiend (and that's the whole point of my little game.) So it's .306 for now, and depend on it that I'll suffer a batting slump over the weekends, because the days themselves figure in the formula (30 days of June), and during the weeks I'll always fatten my figure. To stay over .300 is of course essential in the big leagues ... so I'm doing O.K. as of now, anyway ... (for an outfielder.)

(* Footnote from Windblown World's editor Douglas Brinkley: "Ted Williams would end up hitting .349 in 1948." After June 2, 1948, Williams's batting average was actually .384, not .392. And TSW finished the season at .369. not .349. I can perhaps give Kerouac a pass for recording the wrong average in his personal diary, but Brinkley and Viking's editors, factcheckers, and proofreaders have no excuse.)

Friday, June 4

Woke up with my .306 average. Worked hard, brought it up to .324.

Saturday, June 5

And today brought it up to the respectable figure of .345 . . .

Monday, June 14

I cleared a lot of business today – at the bank, etc., and called up my 'connections.' Then I fell back on the typing. My average is where it was when I unavoidably lost a week – at .345. I must, I must be successful. [Jack and his mother went to North Carolina because his sister became "gravely ill" after giving birth to a three-pound infant after only seven months of pregnancy. Both his sister and baby recovered.]

Tuesday, June 15

Last night's sweating, plodding work left me with a .340 average for today to match. This is nowhere near Ted Williams' current .398. I typed and revised – maintained a .327 mark – and went into town to bring Tony's coat.

Wednesday, June 16

I typed all day, revised carefully, and maintained a .343 average, climbing 16 points over yesterday. These figures don't imply the tremendous strain of keeping up and on that way. To reach .390, and to stay there, that's almost incredible now as I see how rough it is. There's grave doubt even that I can keep up a pace over .300.

Thursday, June 17

Went to bed, after irritating work with a faulty typewriter-hand, with a .350 average.

Friday, June 18

Worked all day, slugged my average up to. 353, the highest yet. Tomorrow is an official day off . . . I was irritated today because my manuscript is not as "good" as it should be, but this is an Olympian sense of perfection and not human. It would take me another year, maybe longer, to 'perfect' T & C, and that is senseless (It wouldn't be any better anyway, according to human workaday standards.) Allen Ginsberg insists I 'perfect' it, but he's a poet, and a verse-writer is like that.

Sunday, June 20

Went to Dodger game in Brooklyn with Tony, and then to a massive Italian dinner at his sister's house, and then home.

Thursday, June 24

Typed 30 pages today, using a new kind of self-discipline. That many pages each day, according to last week's batting average discipline, would give me a .600 average.

Monday, June 28

Hot disgusting day ... dead and pasty, no wind, nothing, misty, sullen, incredibly stupid. Started late, did 18 pages.

Wednesday, June 30

Another disguster, fourth in a row. Give me the cool fogs of Frisco. For the month of June I did approximately – well, with tonight's vast 40 pages, (!) I did, in all, about 320 pages in June ... for a batting average, according to early standards, of .291: – which is enough for the big leagues, but not great.

Thursday, July 1

I'm never satisfied with the progress of my work. I won't rest, I won't rest till it's complete complete ... and what a pain in the eye that is.

Wednesday, July 7

A beautiful cool, clear day. Got letters from Neal, Ed, Allen. . . . Went to the library, got books. Shook off the weekend's cobwebs. . . . Batting .315 anyway (over that .291.)

Monday, July 12

Did 27 pages ... batting .328. Working along in casual daze of sorts ... resting.

Tuesday, July 13

Did 19 pages and began totally revising the Francis-Engels chapter ... This great deadwood will ruin my .330 batting average. I now have well over 800 pages done on the ms., with some 200 more to go. And the novel will be done forever, and the devil can then shove it up.

Friday, July 16

These must be some of the worst days of my life, I don't know. I feel old and finished ... just working with the most alone sense I've ever had. . . . Also, lately, I feel like a newspaperman: – I've no brains. It's the most empty feeling in the world to feel like a newspaperman racking his head for words, the most superficially-meant words. Batting .309.

Monday, July 19

The nearer I get to the final end of the work, the more work there seems to be. My 1946 material is not generally worth the paper it's on. Wearing glasses now, my eyes seem perfect. . . . Now shot up bat. ave. to .327.

Tuesday, July 20

Did 22 pages, batting .330 again. . . . had a lot of happy, healthy feelings and thoughts for the first time in weeks, it seems.

Wednesday, July 21

Did 17 pages, batting .329 -- and I swear to God that I'll never be finished with this thing.

Tuesday, July 27

Wearied by ragged literary work in the heat ... did 34 pages, batting .329.

Saturday, July 31

Today I worked hard on those 22 pages and at night I couldn't see my way through the sea-chapter at all. Batting .331.

Friday, August 6

. . . a big night's work left me a nervous wreck. Batting .336 . . .

Thursday, August 12

Still beautifully cool – it's been so for 13 days now. Tonight did 23 pages, all carefully revised . . . Batting .345 . . .

Tuesday, August 17

Babe Ruth died yesterday, and I ask myself: "'Where is the foundling's father hidden?' – where is Babe Ruth's father?"* Who was it who spawned this Bunyan? – what man, where, what thoughts did he have? Nobody knows. And this is an American mystery, the foundling becomes the king, and the foundling's father is hidden ... and there's greatness in America that this does always happen.

(* Editor's footnote: "The search for Babe Ruth's father notion was later used, to great effect, in On the Road, the search for Dean Moriarty's (Neal Cassidy's) father.")

* * *

Specific Baseball Games Mentioned In Windblown World

Saturday, May 15, 1948: Athletics at Yankees
Kerouac writes: "went to a Yankee-Athletics game with Tony [Monacchio], rained out". However, those teams played a doubleheader on the 15th (Philadelphia won 3-1 and 8-6); Sunday's game (May 16) was washed out by rain after only an inning and a half.

Saturday, May 22, 1948: Giants 11, Cubs 0 (Polo Grounds)
"(Meanwhile I saw a ballgame, Giants-Cubs, at Polo Grounds with good Tony.)"

Sunday, June 20, 1948: Cubs 6, Dodgers 3 (Ebbets Field)
"Went to Dodger game in Brooklyn with Tony, and then to a massive Italian dinner at his sister's house, and then home."

Monday, May 3, 1949: Giants 11, Pirates 4 (Polo Grounds)
"Saw a ballgame at night in Polo Grounds – a big delightful spectacle, and good game. Slept at [John Clellon] Holmes' – talked, drank beer."

Wednesday, October 5, 1949: Yankees 1, Dodgers 0 (Yankee Stadium)
"Heard great Newcombe-Reynolds pitching duel in 1st game of Series, on radio."

July 19, 2022

Dogs On the Pitch

Two truisms:
There are few things as wonderful watching a dog run around and be happy.
You cannot catch a dog unless she wants to be caught. 
I saw the first clip on Twitter and then, of course, ended up watching many more dogs-on-the-field videos.

2022, Chile versus Venezuela at La Granja in Spain:



2014, Club Atlético Belgrano versus Quilmes Atlético Club, in Argentinia:



2017, San Lorenzo de Amalgro versus Arsenal de Sarandí, Argentina:


2018, Gori, Georgia:

 

2020, Turkish professional football club, Karagümrü, Istanbul

 

2020:


2021, Bosnian Premier League
:


2014, St. John's versus Central Connecticut State
:


The best (and longest) clip in this compilation is #6
:


They think they are so smart, luring the dog off the field by waiving a big red bag like a toy. It's working, it's working . . . until they get close to the gate off the field . . . and the dog stops dead in his tracks. Ears down, looks over the situation . . .  and turns around and runs off again! Wheeeeeeeeeeee!

October 4, 2021

"RTAR (Ruptured Testicles Above Replacement)"

September 15, 2021

RIP Norm Macdonald (1959-2021)

"That's a draw."



August 13, 2021

I Went To San Francisco And Portland And All I Got Was Four Groceries Bags Full Of Books

Last month, I mentioned a much-anticipated stop during our vacation would be the legendary Kayo Books on Post Street in San Francisco. As promised, here is my report.

On July 30, I met longtime friend-of-JoS zenslinger at a nearby cafe and chatted for an hour or so (ending, to no one's surprise, with some pointed criticisms of Game-Ruiner Commissioner Manfred) before heading over to Kayo, where I was greeted by one of the owners and their handsome dog Pip (pictured here as a puppy in 2016). After expressing extreme interest in the scents of Kai and Cookie on my pants, he relaxed in a spot of sun by the front door.

My appointment was for three hours and I used every minute, save for a brief interlude when I stepped outside to get some water while the owner moved her car. It's my understanding that Kayo's stock was much bigger before they switched to an appointment-only schedule; they may have had a second floor of merchandise. (As with everything else, the store was no doubt better years before I came along.) It is still very impressive. Not knowing exactly what I would find, I had no fixed agenda, though I did bring my small notebook listing books I already own.

In the mid-1960s, various court cases regarding obscenity led to paperbacks becoming much more explicit. I prefer the more soft-core books published before that time, a genre often referred to as "sleaze". Many of the super-explicit books have minimal or no cover art, but the sleaze books boast the wonderful art work also used for mysteries and crime novels of the period. Robert McGinnis (still working at age 95!) is one of the masters and although I do not own a copy, this is one of my favorites of his work.

I also love the laughably low budget artwork on these slim paperbacks. I already owned a few of these books and was glad to get more, at prices well below what you'll find on eBay. Most of them have two-word titles, with "Sin" and "Lust" being popular choices. (They are also truly "pocket books", measuring only 6 5/16" tall by 4 1/4" across.)



The back covers are sometimes more creatively written than the actual books, though there is always a risk that the contents inside do not quite match either the front or back covers. (Regardless, you don't read these for their literary merit, though some talented writers, such as Donald Westlake, Lawrence Block, and Ed McBain, wrote some of them under house names.) A few back-cover examples (back when "wanton" was the word du jour):
Sally, the hobo-wanton who could step in where the sisters left off and make any man's life a moral wreck . . .

He learned the evil hangovers of violent orgies, and the dangerous, desperate, passion-crazed use of the whip and knife . . .

Lust wife, suburban matron, gutter sinner, she blazed a trail of sin through the flesh jungle . . . 

From coast to coast, the tireless lover plied his passion trade for all the bedtime profits the traffic would bear . . .

He found that the wanton, lustful woman who dangled her enticing charms before him was a temptress from the hells of hate . . .

So he went on his orgy round, day and night as the sin-game reached its evil heights . . .

Grinding along the sex circuit, where the dirty little smoke-filled night clubs play host to the pop-eyed sin-suckers. . . .

It was fate, playing his lust game for him, fate that now made him a part of every sin-game in the state. He did his job well, whatever evil thing was demanded of him, and in return they paid him off with all the wanton tricks he could use, while he foraged for fresh flesh to fill the vice factories.


$10 Orgy!

[I learned several years ago that the New York City agent I had in 1999-2000 wrote at least eight of these books under a variety of names. I have yet to find any of them. However, I do own a complete set of the four-book series ("The Pro", 1974-75) he wrote under his own name, centering on sports agent Dave Bolt (and which are still in print!).]
Lesbians (in big cities and jails), suburbia (lonely housewives host daytime orgies behind drawn curtains while their oblivious husbands toil away at the office), wild teenagers (gangs, drugs, ignoring authority), farms (daughters in shorts, shirtless men with muscles, hay lofts) and insatiable women (anywhere, everywhere, all of the time) are popular topics:




I was happy to find the classic "Women's Barracks" . . . Banned in Canada!

In addition to floor-to-ceiling shelves of paperbacks, Kayo had stacks of men's magazines from the 1950s and 1960s. These magazines had titles such as Man's Action, Man's Life, Man's Illustrated, Man's Exploits, Man's Conquest, Man's Epic, Man's Prime, Man-to-Man, All Man, New Man, Adventure, Big Adventure, Real Adventure, Adventure for Men, Men and Adventure, Men in Adventure, Man's Adventure, Action For Men, True Action, True Men, True, True Danger, Real, Men, Real Men, Men Today, For Men Only, Male . . . you get the idea. Also: Spur, Rage, Stag, Climax, Peril, and Fury. A lot of these sound like gay porn magazines. (Of which Kayo also had plenty, from slick glossies to what looked like homemade fanzines.)

These men's magazines were "[d]esigned to snare the attention of the Average G.I. Joe settling back into humdrum civilian life after World War II, their gorgeously lurid cover illustrations routinely depicted buxom beauties in shredded tatters of clothes, writhing under the slathering jaws of savage beasts, wild savages or sadistic Nazis". The 1960s added rampaging bikers and sex-crazed beatnik chicks to the mix. These magazines are not cheap, but I found a few from 1966 priced at $6 apiece.



A further sampling of articles from variety of men's magazines, from a quick look online:
Rugged Working Men Make Inadequate Lovers

The American Male Is A Momma's Boy

Bashful Brides Have Ruined The American Male

Masculine Inadequacies Drive Women Nuts!

The American Male Is Losing His Virility - Why Men Are Becoming Assembly Line Robots

Love-Starved Women Are Lousing Up College Towns

Wild Vacationing Wives Are Ruining Palm Beach

Women Are Lousing Up Sports

Trapped In A Sea Of Giant Crabs

Chewed To Bits By Giant Turtles

Eaten Alive By Killer Pigs

The Island Of Man-Eating Rats

The Ants Ate Us Alive!

Weasels Ripped My Flesh!

Savages Made Me Eat My Wife!

I Watched Myself Being Eaten Alive!

New England's Passion Paradise: Shocking P-Town - Hot-Bed Of Thrill-Seeking Girls [nowhere near Burlington, Vermont, I can assure you]

Lowdown On The Girls Of Greenwich Village

Love-Cabin Girls Of Alaska

"Sex Wanted" Newspaper Ads! - The Secret Nation-Wide Sin Code For Oddball Love-Thrill Seekers

"Big Lie" Credit Bureau Terror Files That May Rate You "Neurotic", "Trouble Maker", "Bum Risk", " Pervert"

Those Undersea U.F.O.'s May Start W.W.III - More Facts Behind Our Latest 'Saucer' Scare

Baseball Doesn't Deserve Support
Okay, I really want to read that last one.

I also wanted to learn about the cross-country "rich widow racket". And although we already have two copies of "1984", I grabbed this 1954 edition for its pulpy cover. Repacking books by Dostoevsky, Faulkner, Conrad, Joyce, and others with pulpy covers was not uncommon at one time.


I bought three reference works that feature hundreds of old covers, as well as interviews with relevant writers and publishers:

True Crime Detective Magazines: 1924-1969, by Eric Godtland and Dian Hanson




Cyanide and Sin: Visualizing Crime in 50s America, by Will Straw





Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980, edited by Iain McIntyre and Andrew Nette:



Sex-A-Reenos!

I also had a fulfilling day at Powells in Portland, though five hours left me nowhere near seeing everything in the store. A bit of that haul, something to balance out the sleaze:


July 3, 2020

NFL News: Washington Team Changes Its Name

Washington Redskins Change Their Name To The D.C. Redskins

Following an outpouring of criticism from across the country, the Washington Redskins announced Wednesday that they are officially changing the team's name to the D.C. Redskins.

"We've heard the concerns of many people who have been hurt or offended by the team's previous name, and I'm happy to say we've now rectified the situation once and for all," said franchise owner Dan Snyder, adding that "Washington Redskins" will be replaced with "D.C. Redskins" on all team logos, uniforms, and apparel. "It was a difficult decision—and one that, frankly, I'm a little embarrassed took me so long to make. So hopefully we can now put this issue to bed and start cheering on our D.C. Redskins."

In light of Snyder's decision, Cleveland Indians owner Larry Dolan told reporters he will change the feather in Chief Wahoo's headdress from red to a "more appropriate" shade of red.
***

Previous reporting:
Redskins' Kike Owner Refuses To Change Team's Offensive Name

Denying widespread claims that the franchise is being offensive or disrespectful, the Washington Redskins' kike owner announced Monday that he remains steadfast in his refusal to change the team's derogatory name.

"The Redskins represent 81 years of great history and tradition, and it's a source of pride for our fans," said the hook-nosed kike, stressing that the team's insulting moniker is "absolutely not a racial slur by any means. ... The shifty-eyed hebe went on to assure fans that he will do "everything in his power" to preserve the team's proud heritage.

May 9, 2020

RIP: Richard Wayne Penniman (1932-2020)


Little Richard, one of the founders of rock & roll, died today. Richard Wayne Penniman was 87.

Richard's string of hits from 1955-58 — a potent, sexually-charged mix of piano-based boogie, gospel shouting, and jump blues, topped with the irreverent anarchy of youth — "Tutti Frutti", "Long Tall Sally", "Rip It Up", "The Girl Can't Help It", "Lucille", "Jenny, Jenny", "Keep A-Knockin'", "Good Golly Miss Molly" — have lost none of their explosive power in the more than 60 years since they were recorded.

Tim Weiner, New York Times:
Little Richard, delving deeply into the wellsprings of gospel music and the blues, pounding the piano furiously and screaming as if for his very life, raised the energy level several notches and created something not quite like any music that had been heard before — something new, thrilling and more than a little dangerous. ...

Art Rupe of Specialty Records, the label for which he recorded his biggest hits, called Little Richard "dynamic, completely uninhibited, unpredictable, wild." ... His live performances were electrifying.

"He'd just burst onto the stage from anywhere, and you wouldn't be able to hear anything but the roar of the audience," the record producer and arranger H.B. Barnum, who played saxophone with Little Richard early in his career, recalled in The Life and Times of Little Richard (1984), an authorized biography by Charles White. "He'd be on the stage, he'd be off the stage, he'd be jumping and yelling, screaming, whipping the audience on."

Rock 'n' roll was an unabashedly macho music in its early days, but Little Richard, who had performed in drag as a teenager, presented a very different picture onstage: gaudily dressed, his hair piled six inches high, his face aglow with cinematic makeup. ...

His influence as a performer was immeasurable. It could be seen and heard in the flamboyant showmanship of James Brown, who idolized him (and used some of his musicians when Little Richard began a long hiatus from performing in 1957), and of Prince, whose ambisexual image owed a major debt to his.
Stephen Holden, in a 1984 review of White's worshipful biography, stated that the Little Richard story is "inherently fascinating":
When it comes to flaming androgyny, outrageous costume and unhinged libido, a contemporary pop rebel like Prince seems small potatoes compared with Little Richard, the original wild man of rock 'n' roll. "Awop-Bop-a-Loo-Mop Alop-Bam-Boom," the exclamation that punctuated his first major hit, "Tutti Frutti," in 1955, permanently altered the vocabulary of pop music. And in his mirrored suits, towering pompadour and heavy makeup, the singer did as much as anyone to establish the tradition of the rock star as sanctified freak.
Richard once declared that if Elvis Presley was the King of Rock & Roll, then he was the Queen of Rock & Roll. A less-common assertion, certainly, but not so surprising from the man who believed he had invented homosexuality.

I believe I was the founder of gay. I'm the one who started to be so bold tellin' the world! You got to remember my dad put me out of the house because of that [at age 13]. I used to take my mother's curtains and put them on my shoulders. And I used to call myself at the time the Magnificent One. I was wearing make-up and eyelashes when no men were wearing that. I was very beautiful; I had hair hanging everywhere.
He was nothing less than magnificent.

In November 1966, Little Richard played a show in Paris. He was nearly 34 years old that night, ancient by rock & roll standards, but in these 27 minutes, he radiates a supreme and thrilling confidence, radiating a sexuality that is more powerful for being so understated.

Little Richard was one of only a handful of performers that can so captivate a crowd that you don't dare look away for even a second, for fear of missing some small gesture that somehow sums up the entire presentation.



The Times:
His father was a brick mason who sold moonshine on the side. An uncle, a cousin and a grandfather were preachers, and as a boy he ... aspired to be a singing evangelist. An early influence was the gospel singer and guitarist Sister Rosetta Tharpe, one of the first performers to combine a religious message with the urgency of R&B.

By the time he was in his teens, Richard's ambition had taken a detour. ... By 1948, billed as Little Richard — the name was a reference to his youth and not his physical stature — he was a cross-dressing performer with a minstrel troupe called Sugarfoot Sam From Alabam, which had been touring for decades.

In 1951, while singing alongside strippers, comics and drag queens on the Decatur Street strip in Atlanta, he recorded his first songs. The records were generic R&B, with no distinct style, and attracted almost no attention.

Around this time, he met two performers whose look and sound would have a profound impact on his own: Billy Wright and S.Q. Reeder, who performed and recorded as Esquerita. They were both accomplished pianists, flashy dressers, flamboyant entertainers and as openly gay as it was possible to be in the South in the 1950s. ...

His break came in 1955, when Mr. Rupe signed him to Specialty and arranged for him to record with local musicians in New Orleans. During a break at that session, he began singing a raucous but obscene song that Mr. Rupe thought had the potential to capture the nascent teenage record-buying audience. Mr. Rupe enlisted a New Orleans songwriter, Dorothy LaBostrie, to clean up the lyrics; the song became "Tutti Frutti"; and a rock 'n' roll star was born.

August 28, 2019

After Fifteen Years, A Series of Secret Download Surprises

Okay, here's what's going to happen. Starting today, I will post a link in comments on an almost-daily basis.

From that link, you will be able to download a secret fifteen-year-old surprise. There will be at least 23 surprises between now and October 8. (Probably 26.)

Each download link will be good for seven days. After that, it will expire. So ... if anything from fifteen years ago interests you, you should bookmark this post and check back every day or so.

May 5, 2014

September 10, 2012

Now Playing: Bob Mould

From Bob Mould's new album, Silver Age:





And a couple of classics from Hüsker Dü (both 1984):





And one from Sugar's Beaster (1993):

November 14, 2011

R.E.M.: Part Lies, Part Heart, Part Truth, Part Garbage

R.E.M.'s "first-ever definite greatest hits album" is in stores tomorrow (trailer). Two discs. 40 songs. The title comes from a 1988 description of the band by guitarist Peter Buck.

"First-ever" is a bit of a misnomer. While it is the first set to cover their entire 31-year career, it is, in fact, their eighth compilation album (and fourth "best of"). They also have two 2-CD live albums, both recorded since 2007. And the band has been releasing expanded remastered versions of their classic mid-80s albums.

So, coming on the heels of their break-up announcement, and six weeks before Christmas, this release feels like a cash grab. (I'll perk up and grab my wallet when Buck, the group's archivist/packrat, starts compiling rare and live box sets. He has said the band filmed and recorded shows on every one of their tours.)

Buck (guitar), Michael Stipe (vocals), Mike Mills (bass), and Bill Berry (drums) formed R.E.M. in Athens, Georgia. Their early albums for the independent I.R.S. label were some of the most intoxicating and revelatory - and FUN - rock and roll ever.

I was absolutely smitten with them, and with Buck especially, who played the part of cool older brother/record store clerk, turning everyone on to new bands, recommending albums, holding forth on all matters concerning rock and roll. (My college radio show was called "Life And How To Live It", a song of their 1985 album, Fables Of The Reconstruction.) R.E.M. came to Vermont for the first time on Halloween night in 1986. My review* for the good old Burlington Free Press began:
Critics pounded their typewriters like pulpits when R.E.M. released their debut album in 1983. 'Murmur,' a dense menagerie of sounds, moods, and mind-pictures, and its single 'Radio Free Europe,' built a cult following on college campuses that has grown and threatens to make them, baring any commercial breakthrough, America's best 'unknown' band.
* I'm amused that although I loved the band back then, my review is not a rave: "Uneven in its pacing, the two-hour, 28-song set built too many highs that weren't sustained. ... [T]he band put the crowd on a roller-coaster ride of emotions that didn't settle until the second half of the show." That was Friday, October 31. Laura flew up for the show/weekend. I went down to New York the next Friday (November 7) and we saw them that night at the Felt Forum.

It turns out a commercial breakthrough was not that far away. "The One I Love" and "Stand" cracked the US Top 10 charts, but it wasn't until "Losing My Religion" was released in 1991 that the band became a household name.

Some video (some of which I have posted before):
October 10, 1982 - Raleigh, North Carolina (46 minutes)

June 9, 1984 - Passaic, New Jersey
Driver 8 & Carnival Of Sorts (Boxcars)
Harborcoat / Seven Chinese Brothers

May 27, 1985 - Meredith College, Raleigh, North Carolina
Life And How To Live It

October 2, 1985 - Grugahalle, Essen, Germany (95 minutes)
For LHTG, it looks like R.E.M. has taken the All-Star Game approach, picking at least one song from each of their 15 studio albums (even Around The Sun, aka the 1899 Cleveland Spiders). The three unreleased songs at the end of Disc 2 were recorded earlier this year.

Nerd Alert: This is where I pick my own 40-song set. If you are unfamiliar with the band's music, you should probably stop reading now and go do whatever else you had planned for today. I obeyed the ASG rule, and allowed myself the option of ignoring hit singles. Of which, surprisingly, there are few. In the end, only 14 of my choices overlapped with the band (nine on D1 and five on D2). Not that the other 26 songs are poor choices (though some are); I simply liked mine more.
A few comments: the combination of Stipe's and Kate Pierson's vocals on "Shiny Happy People" is brilliant; re quiet songs: some of their best work on Automatic, shitty shit on AtS; I wanted to avoid "Imitation Of Life" because it's paint-by-numbers R.E.M., but "Disappear" and "Beat A Drum" did not quite measure up; and I'm including only the second half of "It Happened Today". Collapse received good reviews for reasons unknown to me, 'cuz, Christ, it's a completely crappy career coda.

I'd like to reassess all of R.E.M.'s albums this winter. In recent years, I have learned that I am lukewarm (at best) about an album I thought I loved, a much-maligned record is becoming one I quite like, and the record I'd take to the desert island has changed.

September 19, 2011

New Day Rising

Nearly an hour of tuneful, paint-peeling rock from the magnificent Minneapolis trio Hüsker Dü, from London's Camden Palace (1985).



Is this your celebrated summer?

March 20, 2011

Sunday Sermon: Sister Rosetta Tharpe

Once you've been hit by Sister Rosetta Tharpe's roof-raising voice and barbed-wire guitar playing, the question becomes inevitable: "Was the King of Rock 'n Roll a woman?"

Tharpe was born Rosetta Nubin in 1915 in in Cotton Plant, Arkansas. Her father was a preacher and her mother played guitar -- and she straddled the line between sacred and secular music all her life (much to the consternation of her churchgoing fans).

In the late 1930s, her gospel sides made her a star, and Elvis Presley, Jerry Lee Lewis, Chuck Berry, Little Richard, Aretha Franklin, Johnny Cash, and many others* cited her as an essential influence on their singing, playing, and showmanship. When Jimi Hendrix was asked what made him want to play guitar, he said, "Man, I just wanted to play like Sister."

* - With a lineup like that, her style has seeped into everyone in popular music to some degree.

Here is Tharpe's recording of "This Train" from 1939 and two video clips from the early 1940s when she was the vocalist for Lucky Millinder and his Orchestra. But the truly great stuff comes years later, when she strapped on a guitar:

"Up Above My Head"
With the Olivet Institutional Baptist Church Choir (recorded during the 1960s).
Check out the nasty, snarling solo that starts at 1:25.


"Didn't It Rain"
Filmed in May 1964 at the unused Chorlton (or maybe the Alexandra Road) station in Manchester, England, for a TV show called "Gospel and Blues Train".
Now that's an entrance!


"Trouble In Mind"
"Pretty good for a woman, ain't it?"


Bonus: Muddy Waters from the same recording date!

Example
And for something completely different, would you like to hear Van Halen's "Eruption" played on an electric violin baseball bat? Of course you do.

December 28, 2010

First Four Albums

Which rock musician/band has had the most remarkable career-beginning string of four albums, taking into consideration the quality of writing and playing, evolution of musical styles, and simple "wow" factor?

My answer has long been Talking Heads: starting with the crisp, angular new wave of '77, moving onto a broader palette of sounds with More Songs About Buildings And Food, to the post-punk, disco and darker sonic sounds of Fear Of Music, and reaching their peak with the African polyrhythms and samples and loops of Remain In Light.

I have been on a bit of a Clash kick lately -- the 30th anniversary of Sandinista! was two weeks ago -- and have been thinking their first four albums -- The Clash, Give 'Em Enough Rope, London Calling, and Sandinista! (which actually show a very similar pattern of growth and expansion to Talking Heads) -- might rightfully belong in the top spot. The Clash also have a massive edge in sheer quantity of songs: they followed a double album with a triple album in less than one year's time!

Some live stuff:



November 19, 2010

New York Dolls - 1974

Two clips of the New York Dolls playing at Club 82 in the East Village on April 17, 1974.

From Trash: The Complete New York Dolls, by Kris Needs and Dick Porter:
This had been one of Manhattan's most glamorous drag venues between the 1940s and late sixties, playing host to a bevy of transvestites and female impersonators. Latterly, 82 had lost some of its sparkle once such establishments could operate openly, but still employed a team of lesbians to man the door and bar. In keeping with the spirit of their surroundings, the Dolls dragged up more thoroughly than usual ... [Guitarist Sylvain Sylvain:] "It was run by this lesbian woman who was gorgeous, called Tommy, and ran it like a brick shithouse. It looked all tropical. The Copacabana goes gay, if you will. The center of it was the actual stage, like a square. Completely around the stage was the bar. We would hang down there. The prostitutes were on Tenth Street and after their work hours they would go down to Club 82 and drink down there. They would have like drag shows and performances ... Tommy never used to want [rock & roll bands] ... But business was bad for them. They needed new fun and excitement again. That's where the New York Dolls came in. ... It came at a time when the Dolls had been on their way up and then on their way down and this was sort of the valley of their career."
Pills



Chatterbox



Looking for a Kiss, Old Grey Whistle Test (UK), November 1973
(this is how you chew gum with style)



Personalty Crisis



The Dolls split up in 1975, but reformed in 2004; they are still getting it done.

October 21, 2010

Panda & The Freak

The Giants will try to win the National League pennant at home tonight, as Tim Lincecum matches up with Philadelphia's Roy Halladay in a rematch of Game 1. San Francisco won that game 4-3 -- and lead the series 3-1.

In 2008, The Baseball Project -- Steve Wynn, Scott McCaughey, Peter Buck, and Linda Pitmon -- released Volume 1: Frozen Ropes and Dying Quails, an album of baseball songs. (Here they are playing "Ted Fucking Williams".)

They have been releasing new songs as they write and record them at Broadside Ballads ($1 each). "Panda & The Freak" was recorded about two months ago at Maxwell's in New Jersey.

June 10, 2010

The Mighty Wolf

Chester Arthur Burnett -- better known as bluesman Howlin' Wolf -- was born in White Station, Mississippi, 100 years ago today.Wolf did not consider a musical career until he was nearly 40. Sam Phillips, the man who first recorded Elvis Presley, heard Wolf's radio show on KWEM in West Memphis.
"When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies.' Then Wolf came over to the studio, and he was about six foot six, with the biggest feet I've ever seen on a human being. Big Foot Chester was one name they used to call him. He would sit there with those feet planted wide apart, playing nothing but the French harp, and, I tell you, the greatest show you could see to this day would be Chester Burnett doing one of those sessions in my studio. God, what it would be worth on film to see the fervor in that man's face when he sang.
We do have film of Wolf in action -- and it is mesmerizing. Wolf was huge, at times close to 300 pounds; his head was as large as a cinder block. And his voice -- brutish, menacing, and loud -- was one of the musical wonders of the 20th century. And yet Wolf, an extremely guarded man off-stage, also sang openly about his insecurities (such as in the studio version of "Don't Laugh At Me": "You got fine clothes, that's why you laugh at me / I'm not good lookin' baby and I know I didn't make myself"), exposing a vulnerability that you never heard from other blues musicians. He was a true showman, giving maximum entertainment while often simultaneously scaring the shit out the audience.

Robert Palmer, in his book Deep Blues, describes Wolf's early sound:
Wolf was moaning and screaming ... blowing unreconstructed country blues harmonica, [and] his band featured heavily amplified single-string lead guitar by Willie Johnson and Destruction's rippling, jazz-influenced piano. ... Wolf and his group could sound exceptionally down-home .. and they could swing. ... But most of the time, Wolf strutted and howled, Willie Steel bashed relentlessly, and Willie Johnson, his amp turned up until his tone cracked, distorted, and fed back, hit violent power chords right on the beat. ... [T]his music was heavy metal, years before the term was coined.
Palmer recalled one particular Wolf performance:
In later years, and especially after he began working mostly for white audiences, Wolf would take it easy. A little of the old ferocity was enough to ignite the most jaded college crowd. But I'll never forget a 1965 performance when Wolf played Memphis on a blues package show ...

The MC announced Wolf, and the curtains opened up to reveal his band pumping out a decidedly down-home shuffle. The rest of the bands on the show were playing jump and soul-influenced blues, but this was the hard stuff. Where was Wolf? Suddenly he sprang out onto the stage from the wings. He was a huge hulk of a man, but he advanced across the stage in sudden bursts of speed, his head pivoting from side to side, eyes huge and white, eyeballs rotating wildly. He seemed to be having an epileptic seizure, but no, he suddenly lunged for the microphone, blew a chorus of raw, heavily rhythmic harmonica, and began moaning. He had the hugest voice I have ever heard -- it seemed to fill the hall and get right inside your ears, and when he hummed and moaned in falsetto, every hair on your neck crackled with electricity. The thirty-minute set went by like an express train, with Wolf switching from harp to guitar (which he played while rolling around on his back and, at one point, doing somersaults) and then leaping up to prowl the lip of the stage. He was The Mighty Wolf, no doubt about it. Finally, an impatient signal from the wings let him know his portion of the show was over. Defiantly, Wolf counted off a bone-crushing rocker, began singing rhythmically, feigned an exit, and suddenly made a flying leap for the curtain at the side of the stage. Holding the microphone under his beefy right arm and singing into it all the while, he began climbing up the curtain, going higher and higher until he was perched far above the stage, the thick curtain threatening to rip, the audience screaming with delight. Then he loosened his grip and, in a single easy motion, slid right back down the curtain, hit the stage, cut off the tune, and stalked away, to the most ecstatic cheers of the evening. He was then fifty-five years old.
The Mighty Wolf, with guitarist Hubert Sumlin, in England (1964)



I'll Be Back Someday (1964)


Shake It For Me (1964)


How Many More Years (1966)


Dust My Broom (1966)


Finally, here is a clip I had never seen until I started putting this post together. It is from "Howlin' Wolf In Concert 1970", filmed at the Washington D.C. Blues Festival in November 1970.

"Highway 49" begins with Wolf -- at age 60! -- crawling on stage on his hands and knees, flashing a devilish grin. When I first saw this, I just about lost my mind at 4:10.

Later, Wolf is sitting stock still in a chair on stage, brooding and scowling, then looking incredibly self-satisfied, and you cannot stop staring, because what the hell is he going to do next?

If he was doing this shit when he was 60, what kind of otherworldly performances was he putting on 20-25 years earlier?!?!